JoJo Learned to Be More ‘Vulnerable and Open’ by Playing Satine in Broadway’s ‘Moulin Rouge!’
“Because you can can can!” is the hedonistic rallying cry of Parisian club owner Harold Zidler at the outset of Broadway’s adaptation of Baz Luhrmann’s celebrated 2001 film Moulin Rouge!. And through July 16 at the Al Hirschfeld Theatre in Manhattan, Joanna “JoJo” Levesque is currently proving she can can can soar in a sumptuous major musical despite no previous credits on the Gay White Way.
Yes, experiencing JoJo in Moulin Rouge! involves a few moments of processing that the Satine in front of you is the same person who, at age of 13 in 2004, earned a No. 1 on Pop Airplay with the punchy “Leave (Get Out).” But that biographical tidbit quickly fades as you lose yourself in Satine’s journey as she sheds her performative shield and embraces love, death and everything in between.
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It’s a triumphant transformation that Levesque subtly reveals through shifting reactions to the world around her — while, naturally, showing off her substantial vocal range and a nuanced ability to interpret hit songs from other artists. It’s such a convincing sublimation of her pop star identity that my companion at the Hirschfeld, despite several assurances, refused to believe it was THAT JoJo on stage in front of us and not a Broadway pro (eventually, she was convinced, and cried at the end of the play).
Of course, casting a known pop, film or TV star in a Broadway play is nothing new — and lately, it’s been a boon for theatrical box offices as they recover from the pandemic. Earlier this year, two-time Drag Race winner Jinkx Monsoon pulled in packed, enthusiastic audiences for Chicago as Mama Morton. But rarely do outsiders make their Broadway debut playing the lead role in a musical, which makes JoJo’s 14-week run as Satine even more impressive – and a sparkling diamond of a delight on Broadway.
Before we talk about the play, I want to ask about your initial reaction to the movie when it came out in 2001.
Obsessed. Baz Luhrmann is one of my favorite filmmakers. I love the energy, the pulse you can feel throbbing in all of his work. Nicole Kidman just shattered me with Satine. I was like 10 years old when it came out, but I revisit it time and time again because it’s so delicious. I saw the Moulin Rouge! musical theater production when it opened in L.A. at the Pantages [in 2021], and I went back and rewatched the movie again I was like, “Ugh, it’s so good!” I’m totally in love with the Baz stuff.
When you auditioned for the role of Satine on Broadway, how did you feel? Were you confident about what you delivered?
I workshopped with the producers and director and I knew that I had prepared as much as I possibly could have. I walked away feeling, “If I don’t get it, I can feel good about the work I did going into it.” And that’s what I’m looking to feel at this point in my life in general: I laid it all out there and come what may. But I was hoping that it would work out, and when it did, I was so relieved. I really wanted the opportunity to use all the different things I love that I’ve been working on since I was a little girl at once: Singing, acting, performing. This is the perfect opportunity for that.
As you rehearsed and prepared for the role, what was the hardest part for you?
The quick costume changes backstage are one of the most challenging components. Some of the changes are 25 seconds and there’s wig changes, shoe changes. That stressed me out a little bit because I didn’t want to throw anybody else off – not hit a mark and set the whole show back. But I learned. There’s a whole squad of people who are there to help it all move seamlessly. And that’s my favorite part of musical theater, the community aspect of it – we’re all parts in this living, breathing organism.
Twice in the musical you descend from the ceiling on a swing. Is that terrifying?
I have a safety harness. Sometimes I don’t click it exactly right and it gets stuck, and that gives me a little nervousness. But being up in the air is okay. It’s fun. I don’t love roller coasters, but it’s the perfect dose of a roller coaster. It sets my character up for the audience to understand who she is at the Moulin Rouge. And it helps me get into character, honestly, coming down from the ceiling. JoJo hasn’t done that before, but Satine does. That makes me feel better. I’m not myself, I’m not Joanna; I’m embodying Satine.
What’s your favorite song to perform each night?
I love doing “Elephant Love Medley” with Derek [Klena]. It’s such a cute moment of him trying to win her over and her being like, “You don’t understand what life is actually like, bro. You’re crazy.” But there’s something charming about his purity and how he has not been wounded by life the way she has. I love that moment. It’s when they’re really falling in love and when she decides she’s going to follow her heart for once as opposed to trying to do what she needs to do to survive.
The next time you hit the stage as you, do you think you might incorporate some of the Moulin Rouge! stuff?
I have a festival performance coming up May 6 for Lovers & Friends in Las Vegas, while I’m doing this [Broadway run]. It has informed that. I have a couple ideas I’m going to bring into my set in Vegas. I think this is making me a more well-rounded performer, getting to play with different people every night, sometimes two times a day. I love that repetition and finding freedom within it. And doing your own play on other people’s songs is a treat.
What have you learned about yourself doing this?
I learned how much I was yearning for some aspect of community that I haven’t had in my life before. I started so young as a solo artist and I’m an only child. I still had that sense of being an outsider, the odd girl out, and I was bullied in middle school. I was like, “Will I be embraced?” I did have those fears. And to let myself be vulnerable and be open, let people know my heart and get to know other people’s hearts, that’s been a nice experience. And [I learned] how to pace myself. If you’re doing 7-8 shows a week, you have to learn how to take care of your instrument, your body, everything.
What informs your portrayal of Satine?
I want to always keep in mind how difficult her life has been. The fact that she is performing most of her life, whether it’s on the streets or for men or at the Moulin Rouge, she doesn’t really get a moment to let her guard down. There was a time in my life where that was very much the truth for me. I didn’t even know how to be honest; I didn’t even know how to get in touch with myself. I’m still trying to find the most authentic version of myself.
Do you want to do more acting on Broadway?
I love it here. I love doing stuff like this. If they’ll have me, I’ll be here. I’d love to originate a role, I’d love to be part of writing the music for original shows. To be a part of this has been a highlight of my life. I feel like I’m growing, I’m learning, and that’s what makes me happy: to be where these amazing performers are and where we’re stretching and growing. I could definitely see more of it.
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